I am passionate about filmmaking and constantly strive to push my boundaries, embracing every project as an opportunity to learn and grow. My strengths are a knack for building strong characters and compelling narratives, being it fiction or documentary, finding the story. I’m a London-based filmmaker and editor (a full member of the British Film Editors Association - BFE - and Sundance alumnus).

I have a diverse background in filmmaking, having worked as editor on narrative features for over fifteen years. Credits include 'The Black Book' (3rd Most watched film globally on Netflix in Oct 2023 – winner of Best Editing AMVCA Africa Magic award, 2024). I was editor and producer of 'Europa: Based on a True Story' (IDFA, 2019, winner of Best Feature at Carbonia IFF, 2020), ‘Things of the Aimless Wanderer’ (Sundance, 2015, winner of Audience award at Film Madrid, 2015) and editor of Grey Matter (Tribeca, 2011, winner of Best Actor award and Jury Special Mention).

I was Executive Producer of ‘Father’s Day’ (Berlinale, 2022) and Self-shooting PD of the documentaries ‘The Arrows of Truth’ (Best feature doc at Berlin Independent Film Festival, 2018) and ‘Justice Seekers’ (Al Jazeera English, Witness, 2014). My research and film work on the 1994 Rwandan genocide, was included in the book ‘The Rwandan Genocide on Film, critical essays and interviews’ (McFarlane 2018).

I have worked for production companies shooting and editing content for agencies, museums and art galleries, both in the UK and abroad and as editor and self-shooting PD on multiple documentary projects. I’m currently part of the faculty at Academia Nacional Superior de Orquestra, in Lisbon, where I lecture a module I designed called ‘Language of Cinema’ as part of a film scoring post-graduate degree.